2026

Archival pigment print

Image size: 43 × 56 cm

Framed size: 66 x 80 cm

Edition 2 of 8

£605

The first of the four ranks. The sitter's authority is carried entirely by the staging: the drapery, the light, the depth of the set — and the horse that outlasts him.

The Court: A suite of four formal portraits — The Patron, The Pretender, The Duchess, The Heir. Each scene is built as a three-dimensional theatre set, after the teatrini of Tintoretto and Poussin: 3D scans of real horses staged for light and depth, then layered by hand with high-resolution photographs of the artist's own studio canvases and historic landscapes from museum archives. A single recurring horse holds the central role. The riders are rendered as vacant, hollow vestments — the animal stands permanent while human authority vanishes. 

2026

Archival pigment print

Image size: 56 × 43 cm

Framed size: 80 × 66 cm

Edition: 1 of 8

£605

A claim to the line rather than a place in it. The same set, the same light, the pose held a fraction too carefully.

The Court: A suite of four formal portraits — The Patron, The Pretender, The Duchess, The Heir. Each scene is built as a three-dimensional theatre set, after the teatrini of Tintoretto and Poussin: 3D scans of real horses staged for light and depth, then layered by hand with high-resolution photographs of the artist's own studio canvases and historic landscapes from museum archives. A single recurring horse holds the central role. The riders are rendered as vacant, hollow vestments — the animal stands permanent while human authority vanishes. 

2026

Archival pigment print

Image size: 56 × 43 cm

Framed size: 80 × 66 cm

Edition 1 of 8

£605

Rank by marriage and by cloth. The vestments do the work of the portrait; what wore them has gone.

The Court: A suite of four formal portraits — The Patron, The Pretender, The Duchess, The Heir. Each scene is built as a three-dimensional theatre set, after the teatrini of Tintoretto and Poussin: 3D scans of real horses staged for light and depth, then layered by hand with high-resolution photographs of the artist's own studio canvases and historic landscapes from museum archives. A single recurring horse holds the central role. The riders are rendered as vacant, hollow vestments — the animal stands permanent while human authority vanishes. 

2026

Archival pigment print

Image size 56 × 43 cm

Framed size 80 × 66 cm

Edition 1 of 8

£605

The last rank, and the youngest — inheritance staged as bloodstock. The horse is the only figure in the suite with a future. 

The Court: A suite of four formal portraits — The Patron, The Pretender, The Duchess, The Heir. Each scene is built as a three-dimensional theatre set, after the teatrini of Tintoretto and Poussin: 3D scans of real horses staged for light and depth, then layered by hand with high-resolution photographs of the artist's own studio canvases and historic landscapes from museum archives. A single recurring horse holds the central role. The riders are rendered as vacant, hollow vestments — the animal stands permanent while human authority vanishes. 

2026

Archival pigment print 

image size 70 × 94 cm

framed size 86 × 110 cm

Edition 4 of 5

£1,065

A landscape that resists belonging to the interior it occupies. Built as a digital photomontage, the composition uses 3D spatial staging to construct an impossible room, combining high-resolution captures of the artist's studio canvases with historical landscapes from museum archives. As the title implies, the final view is propped casually against the wall like a scenic prop — a temporary loan from nature that will, eventually, be recalled.

2026 

Oil on canvas 

80 × 120 cm 

£3,950